Philip CZAPŁOWSKI bio / orchestral chamber music solo / gallery media contact
Red Moon was composed for a concert of the Melbourne Composers League, and was premiered on 10 December 2006 at Richmond Town Hall, Melbourne by Anne Norman (shakuhachi) and Peter Hagen (harpsichord).
Innocence II was composed for Elizabeth Sellars and Kenji Fujimura, who premiered the work on 10th September 2006 at St Michael's Church, Melbourne.
2006 | flute & 2 violins | 2 minutes
Miniatura II was composed for the New York Miniaturist Ensemble and premiered on 27th March 2006 at the Cornelia Street Cafe, New York, USA.
2005 | violin & viola | 2 minutes
Miniatura I was composed for the New York Miniaturist Ensemble and premiered on 27th October 2005 at the Juilliard School in Lincoln Center, New York, USA.
At the Grave of Dmitri Shostakovich
At the Grave of Dmitri Shostakovich, a duo for violin and cello, was composed in August 2004, and was premiered by Isin Cakmakcioglu, violin, and Rachel Atkinson, cello, during a Melbourne Composers¡¯ League concert at the Iwaki Auditorium, ABC Southbank Centre, Melbourne in November 2004.
In 2001 I spent a few days in Moscow, where I visited the Novodevichy Cemetery, the burial place of Dmitri Shostakovich, along with many of the other luminaries of Russian culture. This work is a homage to Shostakovich, and a musical interpretation of the very moving experience of visiting his grave.
This work of approximately 13 minutes duration was written for the Canberra Wind Soloists, who gave the premiere at the IDRS convention in June 2004, at Monash University, Melbourne.
2003 | 3 clarinettists & electronics | 40 minutes
Conversations is a collaborative work involving 6 composers: Steve Adam, Philip Czaplowski, Robin Fox, Russell Goodwin, Peter Myers, and Thomas Reiner. The piece is the outcome of a research project funded by a Research Innovation Grant from the Faculty of Arts, Monash University, and its composition took place over a period of approximately 9 months prior to the first performance on 12th June 2003 in the Drama Theatre, Performing Arts Centre, Monash University.
The complete recording of Conversations is available on CD from Move Records.
On the Move...
1999 | trumpet, horn in F, & tenor trombone | 3 minutes
This short brass trio is a musical portrait of Sir John Monash (1865-1931), one of Australia's most significant military leaders.
Born in Melbourne, Monash studied at Scotch College and Melbourne University, becoming a civil engineer. In this capacity he pioneered the use of reinforced concrete, building bridges and railways. During the First World War, he commanded the 4th Australian Brigade at Gallipoli (1914-5), the 3rd Australian Division in France (1916), and the Australian Corps as lieutenant-general (1918). One of the most highly regarded generals of World War 1, Monash was particularly respected for his thoroughness and planning skills. After the war, Monash organised the repatriation of Australian troops, and went on to make major contributions to Australian civilian life, serving on many boards and committees. Victoria's second university was named after him in 1958.
The title of the piece therefore refers not only to Monash's military achievements, but also his significant role in the development of Australia.
On the Move... is published by Red House Editions in an anthology of brass music entitled Portraits.
Innocence for violin and piano was written in 1998 for Australian violinist Deborah Fox, who gave the first performance at the Preshil School, Melbourne on 29th November 1998, with the composer at the piano.
Personae is a trio for oboe, clarinet, bassoon, and was written for the Australian Chamber Soloists 1996 season and completed in July 1996. Personae was first performed by Jeffrey Crellin (ob), Phillip Miechell (cl) and Amanda Lee (bsn) in Melba Hall, Melbourne Conservatorium of Music, on Sunday July 7th 1996.
1994 | oboe, flute & cello | 9 minutes
This piece was written during April and May of 1994 for Prudence Davis (fl), Jeffrey Crellin (ob) and Phillip Green (vc), and was first performed at 'Music in the Round' concerts, in Melbourne on 21st & 22nd May 1994. The work explores some of the timbral & textural possibilities of the ensemble, juxtaposing lyrical passages with sections of aleotoric writing, somewhat in the style of Lutoslawski.